Biopic of a maestro who made his career in Madras
The HinduIn the Madras of the 1980s and part of the 1990s, if life could throw up a background score, it had to be Ilaiyaraaja. A college trip to Kodaikanal propped up on an overnight journey by Pandian Express and then a bus-ride up the ghats from Kodai Road Station would find Ilaiyaraaja as the accompanying friend, philosopher and guide. “Nila adhu vanathu mele” from Nayagan or “Raja rajadhi rajan indha raja” from Agni Nakshatram or “Nila kayum neram saranam” from Sembaruthi were all sung with gusto alongside a cassette player belting out these numbers in the bus. Even in cult films with great songs like, for instance, Mani Ratnam’s Mouna Ragam, you tend to distinctly remember the background score too. In Kannada, Ilaiyaraaja gave an incredible score and songs in Pallavi Anu Pallavi, incidentally Mani Ratnam’s debut film.