Birju Maharaj: Maharaj of Kathak
The HinduA little under 20 years ago, Pandit Birju Maharaj was addressing the press at a five-star hotel in New Delhi. Amid the predictably inane questions like “How was it to work with so and so?” and “How was it to work with a big star like Madhuri Dixit”, a youngster from an English-language daily that had little space for classical arts or literature asked Maharaj, “For so long you have been doing Kathak. Never thought of doing something else, like, say Bharatanatyam?” Even as the crowd burst into laughter, Maharaj refused to get angry at the young man’s temerity. Along with Uday Shankar, Rukmini Devi, Kelucharan Mohapatra, Birju Maharaj is regarded among the “four pillars of Indian dance who took regional traditions to public”, as the U.S.-based veteran flautist G.S. He took tradition to the masses by simplifying it without forsaking values.” The well-known Bharatanatyam dancer and critic Anjana Rajan said: “Maharaj was born at a crucial juncture of history, when India was preparing to shed its colonial yoke and the arts were recognised as a vehicle to restore the nation’s self-esteem.