Hip-hop turns 50, reinventing itself and swaths of the world along the way

For free real time breaking news alerts sent straight to your inbox sign up to our breaking news emails Sign up to our free breaking news emails Sign up to our free breaking news emails SIGN UP I would like to be emailed about offers, events and updates from The Independent. When someone does something different, then that’s a new way,” says Babatunde Akinboboye, a Nigerian-American opera singer and longtime hip-hop fan in Los Angeles, who creates content on social media using both musical styles. “When you look at some of your female rappers today and you see the businesses that they own and the barriers that they were able to break it down, it’s amazing to me and it’s an honor for me to even be a part of that from the beginning.” Plenty of other women have joined her over the intervening decades, from Queen Latifah to Lil' Kim to Nicki Minaj to Megan Thee Stallion and more, speaking on their experiences as women in hip-hop and the larger world. Coming from America’s Black communities, that has also meant hip-hop has been a tool to speak out against injustice, like in 1982 when Grandmaster Flash and the Furious Five told the world in “ The Message,” that the stresses of poverty in their city neighborhoods made it feel “like a jungle sometimes/It makes me wonder how I keep from goin’ under.” Other figures like Common and Kendrick Lamar have also turned to a conscious lyricism in their hip-hop, with perhaps none better known than Public Enemy, whose “Fight the Power” became an anthem when it was created for filmmaker Spike Lee's 1989 classic “Do the Right Thing," which chronicled racial tension in a Brooklyn neighborhood. “To me, it’s always political, really, no matter what you’re talking about, because hip-hop, in a way, is a form of resistance.” ___ Yes, it's an American creation.