Tracing Satyajit Ray's influence on Hindi cinema; Netflix anthology on auteur's short stories is only a drop in the ocean
FirstpostIn one of the most famous quotes to emerge from the world of cinema, Akira Kurosawa once said, “Not to have seen the cinema of Ray means existing in the world without seeing the sun or the moon.” Satyajit Ray, the auteur from Bengal, whose centenary year we continue to celebrate, put Indian cinema on the world map in the mid 1950s, when his debut film Pather Panchali toured the major global film festivals including Cannes, Berlin, San Francisco, Rome, and the BAFTA to name a few. Ray’s cinema was a complete antithesis to the larger-than-life, glossy, simplistic, melodramatic, and loud world of Hindi cinema, barring rare exceptions of Guru Dutt’s Pyaasa and Kagaz Ke Phool or Bimal Roy’s Do Bigha Zameen. However, in the world as it exists today, feeding a film industry largely preoccupied with posturing, there remains little space for Ray’s brand of pure, unassuming cinema to flourish, feels Nawaz. Mark Twain once famously said, “A classic is something that everybody wants to have read, but nobody reads.” Ray’s cinema is seeing a similar plight as far as young movie-watchers in India are concerned.