'Gully Boy' and the legacy of 'Salim Langde Pe Mat Ro'
The HinduIn a scene in Saeed Mirza’s National Award winning film Salim Langde Pe Mat Ro, the protagonist Salim walks down the deserted lanes of his neighbourhood with his friends and partners-in-crime, Bira and Abdul, when the trio is roughly reprimanded by a cop for loitering. Exactly three decades on, in Zoya Akhtar’s Gully Boy, another Muslim boy from Dharavi turns these words into a rousing rap anthem. Revisiting Salim Langde on its 30th anniversary, and soon after Gully Boy, it is interesting to look beyond this shared prophetic catchphrase, and focus on what the two films reveal about each filmmaker’s politics — or lack thereof. Set in the aftermath of the disastrous closure of the Bombay textile mills, in a rapidly communalising city that saw the rise of the Shiv Sena,Salim’s story is an essential primer to understand the Mumbai that Gully Boy ’s Murad is born into and feels so trapped within. If there is an echo of Salim’s plight in Gully Boy, it is reflected in one of the film’s most interesting characters, Moeen, Murad’s hustler friend.