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Hansal Mehta, Shahid and the art of teaching an old director new tricks

"It does not take an army to make a film. Hansal reluctantly agreed, but the moment he met Rajkumar, he knew he'd found his Shahid because of "the purity that Rajkumar brings to his character." Interestingly, the film wasn't just about Hansal finding himself but also about rediscovering his son Jai Mehta, who first collaborated with him on this project and has been his closest collaborator since. The film doesn't show Shahid getting shot, which seems like a deliberate artistic choice to avoid glorifying his killers. After multiple attempts at filming Rajkumar being shot, they couldn't hide the makeup artist at work, so editor Apurva Asrani made the inspired choice to show the scene as it appears in the final film.

New Indian Express
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