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First Take | Apple TV's Roar and an account of memorable, trippy whimsical women
FirstpostEach of the women I encountered in Roar, the majestic ode to muliebrity in all its glorious hues—the good, the bad and the ugly—were memorable in their own way Strangely when I think of memorable trippy whimsical women characters I think of only non-Indian films, like Jesse Buckley in I Am Thinking Of Ending Things. I am not too sure, but I suspect the title comes from Helen Reddy’s feminist anthem: “I am woman hear me roar, in numbers too big to ignore.” Each of the women I encountered in the majestic ode to muliebrity in all its glorious hues—the good, the bad and the ugly—were memorable in their own way. I preferred the second story “The Woman Who Ate Photographs”, directed by Kim Gehrig if for no other reason, than because it features two fabulous actresses Judi Davis and Nicole Kidman, as mother and daughter, sparring as they go on a road trip. In one of the weakest stories “The Woman Who Solved Her Own Murder”, directed by Anya Adams, Alison Brie plays a slain woman who helps the cops try to solve her own murder.
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Roar review: Nicole Kidman, Issa Rae, Alison Brie shine in rewarding Apple TV+ series
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