Review: Disney’s photo-real ‘The Lion King’ remake sings a new yet familiar tune
LA TimesFilm Critic Given its reliance on spanking new, mind-bending visual technology, it would be tempting to say that Disney’s latest classic remake is not your father’s “Lion King.” Except it sort of is. No wonder practically the first thing director Jon Favreau says in the film’s production notes is, “I felt a tremendous responsibility not to screw it up.” A machine purpose-built to maintain the cinematic status quo, this new computer generated “Lion King” has taken a sure thing and made it surer, making choices like retaining James Earl Jones and adding Beyoncé Knowles-Carter to the voice talent and sticking so closely to the original version it duplicates both specific images and lines of dialogue. RELATED: ‘The Lion King’ premiere: Even Donald Glover gushed over Beyoncé » Director Favreau has done this kind of thing before with 2016’s “The Jungle Book.” This new film has taken the notion of digitally built environments and photo-realistic computer generated animals one step further, generating gorgeous visuals and taking pains to create the feeling that it was all shot with a camera. Voices also matter in the singing, where all the familiar musical numbers, from “The Lion Sleeps Tonight” to the Tim Rice-Elton John standards “Circle of Life,” “Hakuna Matata” and “I Just Can’t Wait to Be King” benefit from fresh producing by Pharrell Williams with African vocal and choir arrangements produced by Lebo M. There is also a rerecording of Hans Zimmer’s Oscar-winning score, a new Rice/John song, “Never Too Late,” sung by John, and Beyoncé singing her new “Spirit.” Calling the current film a musical would not be that much of a stretch.