Review: The marvelous Japanese trilogy ‘Wheel of Fortune and Fantasy’ is well worth a spin
LA TimesThe Times is committed to reviewing theatrical film releases during the COVID-19 pandemic. The one under review this week, “Wheel of Fortune and Fantasy,” provides a contrasting yet oddly complementary experiment with the short-story form. Arriving several months after its prize-winning Berlin International Film Festival premiere, “Wheel of Fortune and Fantasy,” like many of Hamaguchi’s movies, is propelled by the ceaseless, almost musical flow of its dialogue. Fusako Urabe and Aoba Kawai in the movie “Wheel of Fortune and Fantasy.” Unlike its predecessors, the third and most affecting story, “Once Again,” focuses on two women. One day, two women recognize each other on passing escalators — an effortless visual metaphor for this movie’s many stray encounters — and spend the afternoon together, reminiscing about their times in high school.