‘Ray’s vision is universal’: Girish Kasaravalli on Satyajit Ray
The HinduGirish Kasaravalli, Kannada film director, is one of the pioneers of ‘parallel cinema’ in India. I do not think that the films of Ray had such a huge impact on India’s mainstream cinema, for the simple reason that his films, which were in Bengali, were not accessible to film practitioners of other languages, especially those from the south. Ray’s cosmopolitan vision draws inspiration from both Tagore and Nehru; his cinematic idiom and aesthetics draw from neorealist masters as well as Renoir and Hollywood films. Ray in his article “What is wrong with Indian films?” says: “In India it would seem that the fundamental concept of a coherent dramatic pattern existing in time was generally misunderstood. If one looks at Ray’s last three films, one can see certain dark despair about our society, polity and culture pervading them.