The new pandemic thrillers – too close for comfort?
The IndependentSign up to our free IndyArts newsletter for all the latest entertainment news and reviews Sign up to our free IndyArts newsletter Sign up to our free IndyArts newsletter SIGN UP I would like to be emailed about offers, events and updates from The Independent. The film’s director, Adam Mason, and screenwriter Simon Boyes, devised the idea last March, when Hollywood first came crashing to a standstill due to the pandemic. And it’s the old Department of Sanitation – now gun-wielding enforcers of quarantine – who play the role of moustache-twirling villains, as their boss froths at the mouth and yells things like “Disobedience is spreading like a tornado!” How can a film pass itself off as light entertainment when it buys so wholeheartedly into the vast, toxic misinformation campaigns that fuel anti-lockdown rhetoric? Five years would pass before the first major films about 9/11 trickled into cinemas – Oliver Stone’s World Trade Center and Paul Greengrass’s United 93 – each greeted with a distinct sense of apprehension. Host, Rob Savage’s lo-fi horror from last year, ingeniously exploits the way in which Zoom is now part of the daily fabric of people’s lives – the video calling service gets a supernatural twist when a group of friends, stuck in lockdown, decide to host an online seance.