‘The Kashmir Files’ movie review: A disturbing take which grips and gripes in turns
The HinduOnce upon a time, writer-director Vivek Agnihotri told us a Hate Story; this week, he has etched yet another. Mounted like a revisionist docudrama, that tracks the tragic exodus of Kashmiri Pandits from their homeland in the 1990s, The Kashmir Files is essentially a battle of narratives, where Agnihotri has determinedly sided with one version of the events. The film is based on the testimonies of the people scarred for generations by the insurgency in the State, and presents the tragic exodus as a full-scale genocide, akin to the Holocaust, that was deliberately kept away from the rest of India by the media, the ‘intellectual’ lobby and the government of the day because of their vested interests. When Krishna’s grandfather Pushkar Nath dies, he returns to Kashmir with his ashes and meets four of his grandfather’s friends who reveal the ‘real’ story of Kashmir to Krishna, and of course, the audience. Talking selective use of facts, the film directly attacks Farooq Abdullah and Mufti Mohammad Sayeed, and indirectly holds Congress responsible for the exodus, but conveniently forgets to tell us that it was the National Front government that was in power in January 1990, when the alleged genocide took place, whose survival depended on the outside support of the Bharatiya Janta Party and the Left parties.