A fresh interest in documentaries signals the dawn of a new era
1 year, 8 months ago

A fresh interest in documentaries signals the dawn of a new era

The Hindu  

Published : Jul 13, 2023 11:00 IST - 14 MINS READ The success of two Indian documentaries at the international level—Kartiki Gonsalves’ The Elephant Whisperers and Shaunak Sen’s All That Breathes—is noteworthy because, like fiction films, Indian documentaries have not generally made a mark outside the country. The best-known documentary filmmakers in India would be those like Anand Patwardhan, who has openly declared that he is not into making films as much as expressing dissent and this has been the dominant tendency. Why Indian documentaries chose the activist mode is not a question that can be easily answered but the truisms they try to propagate have parallels in popular cinema’s traditional articulation of puranic truths. A strategy in the Indian activist documentary is the segregation of interviewees into good and bad people and the latter being made to look ridiculous—as are the Hindutva activists in Patwardhan’s War and Peace who distributed earth from around Pokhran, after the nuclear tests of 1998, as sacred prasad; or the head priest of the Kasi Viswanath temple in Stalin’s India Untouched, who justifies caste discrimination based on his reading of the Manusmriti.

History of this topic

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