Review: Beyoncé’s ‘Black Is King’ is supreme Black art
Associated PressKing Beyoncé’s new film takes you on a journey of Black art, music, history and fashion as the superstar transports you to Africa to tell the story of a young man in search of his crown, matched to epic songs she created while inspired by “The Lion King.” The voyage feels even more special during the current state of the world, as the Black experience has been looked at closely in the wake of the many deaths of Black people, and the Black Lives Matter movement that continues to protest racism and inequality. In “Black Is King,” which debuted Friday on Disney+, Beyoncé continues to dig deep into her roots and share her discovery with the world, like she did on the sweet masterpiece “Lemonade.” Black pride is the center of the film, with African artists strongly represented, as Beyoncé shares her stage with Tiwa Savage, Wizkid, Mr Eazi, Busiswa, Salatiel, Yemi Alade, Moonchild Sanelly and more. We were beauty before they knew what beauty was.” That leads into “Brown Skin Girl,” as Naomi Campbell, Lupita Nyong’o and Kelly Rowland — queens that Beyoncé name-drops on the song — make appearances alongside other black and brown women and girls in a deep celebration of melanin, diversity and sisterhood. “Black Parade” plays as the credits scroll at the end of “Black Is King,” and the song title could be the best way to describe the film: a procession into Beyoncé’s black liberation.