Remembering Irrfan Khan, a Poet in an Era of Entertainers
News 18Art is longer than life - Lee Strasberg The horror, the horror.the elongated, rattling gasp of a dying Marlon Brando in Apocalypse Now encapsulates the shaken feelings of an Indian cinema lover’s at the tragic passing of Irrfan Khan. Before Irrfan’s self-worth started to crumble, he found some solid anchors in the new breed of Indian directors who were looking to make meaty, realistic films and were willing to give trained actors, not puffed-up stars, a chance. Mira Nair, who was now the torchbearer of middle-class India after Monsoon Wedding, gave Irrfan a full-throated role in her adaptation of Jhumpa Lahiri’s The Namesake. A real story, with some heft and gravitas, is hard to come by, and when it is on the market actors like Irrfan are a shoo-in for the role of the protagonist.