
What to expect at the upcoming Chennai Photo Biennale
The HinduWhat do we see through a glass darkly? The ancient Chinese believed the latter, dubbing these creatures the ‘fauna of mirrors’ — and this concept has been adopted as the title for the second edition of the Chennai Photo Biennale. “It’s not a theme as such,” says artistic director Pushpamala N., who views it in broader terms, “as a metaphor for photography itself, a mirror portal that creates another world.” A parallel world that is “familiar yet strange, perhaps friendly and intimate, sometimes mysterious and hostile — but always magical.” Where to go Offbeat venues will be a big plus for CPB. Venues include fabulous heritage buildings like Madras University’s Senate House, Egmore Museum, and Madras Literary Society; quirky local spots such as railway stations and Elliot’s Beach; plus regular galleries. When asked where they see CPB in 10 years’ time, the team displays ample ambition; Gupta wants to put Chennai on the map as the “photo capital of India” and the home for photography the country lacks at present.
History of this topic

Children show off their skills at launch of Chennai Photo Biennale’s phase 2
The Hindu
Phase two of Chennai Photo Biennale kicks off with Alt:Analog exhibition
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Chennai Photo Biennale is back: a complete guide to a three-month-long celebration of photography
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Winter art and the Bengal Biennale
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Chennai Photo Biennale Edition 4 celebrates work of women artists
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Bangkok Art Biennale 2024 | Anish Kapoor at the mall
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Through the CPB lens: the Chennai Photo Biennale Foundation announces the fourth edition of its photo awards
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Chennai Photo Biennale goes hybrid; invites us to reorient how we view history
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Mapping change at the Chennai Photo Biennale
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Chennai Photo Biennale announces the theme for its third edition in 2021
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Bengaluru’s Museum of Art & Photography goes virtual
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Tracing Chennai’s cinema history through banners, posters and cutouts
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Now in the heart of Bengaluru, it's Namma Guggenheim'
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