Tenet review: Nolan's most confusing film, but thrilling to get lost in
The IndependentGet our free weekly email for all the latest cinematic news from our film critic Clarisse Loughrey Get our The Life Cinematic email for free Get our The Life Cinematic email for free SIGN UP I would like to be emailed about offers, events and updates from The Independent. We’ve somehow let everything ride on a single film, the first studio tentpole to be released since the pandemic began. Christopher Nolan’s films have always been great, lumbering beasts of cinema – super-sized, puzzle-box epics that have become irresistible box office draws. Most of the colours we see are familiar to Nolan’s worlds – yellow tones make everything feel like it’s been lightly coated in toxic smog – though one particular, showstopping scene is bathed in hellish reds and blues. Plan auto-renews until cancelled Try for free John David Washington stars as ‘The Protagonist’, who’s sent off into the world with a single palindrome: ‘Tenet’ There’s something alluring about the way the surreal rubs shoulders with the usual trappings of the spy genre: the exotic locations, chilly British dames, and brash hero.