‘Oppenheimer’ doesn’t show us Hiroshima and Nagasaki. That’s an act of rigor, not erasure
1 year, 4 months ago

‘Oppenheimer’ doesn’t show us Hiroshima and Nagasaki. That’s an act of rigor, not erasure

LA Times  

The key word in Christopher Nolan’s “Oppenheimer” is “compartmentalization.” It’s a security strategy, introduced and repeatedly enforced by Col. Leslie R. Groves in his capacity as director of the Manhattan Project, which is racing to build a weapon mighty enough to bring World War II to an end. In the weeks since “Oppenheimer” opened to much critical acclaim and commercial success, Groves’ key word has taken on an unsettling new meaning. Even “Dunkirk,” a harrowing if ultimately optimistic World War II bookend of sorts to “Oppenheimer’s” apocalyptic despair, is a combat picture far more driven by ideas than by carnage. And with such a wealth and variety of Japanese fiction and nonfiction filmmaking on the atomic bombings already, why should “Oppenheimer” bear the responsibility of representing events and experiences that fall outside its subject’s perspective? For “Oppenheimer’s” detractors, this sequence constitutes its most grievous act of erasure: Even in the movie’s one evocation of nuclear disaster, the true victims have been obscured and whitewashed.

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