Norman Lear’s latest Emmy nomination writes his partner out of history — again
5 years, 5 months ago

Norman Lear’s latest Emmy nomination writes his partner out of history — again

LA Times  

Not all of the Emmy nominations announced last week were accompanied by unanimous congratulations and Champagne toasts. The recognition for ABC’s “Live in Front of a Studio Audience: Norman Lear’s ‘All in the Family’ and ‘The Jeffersons,’” a revival of the groundbreaking 1970s comedies, shines a fresh, harsh light on an ugly, largely hidden Hollywood split involving one of the most fruitful partnerships in TV history. Bud Yorkin’s creative partnership with Norman Lear produced such films as “Come Blow Your Horn,” “Divorce American Style” and groundbreaking television sitcoms such as “All in the Family,” “Maude” and “Sanford and Son.” “Seeing the special referred to as ‘Norman Lear’s “All in the Family” and “The Jeffersons”’ really brought home the fact that, once again, my father has somehow been erased from the picture,” Yorkin’s daughter, Nicole, said in a telephone interview. Paris Barclay, who was president of the Directors Guild of America at the time, wrote in a statement following Yorkin’s death: “Through his work on ‘All in the Family,’ including directing one of the original pilots, Bud helped usher in a new era of topical television with a groundbreaking mix of comedy and social commentary, making the show one of the most influential in TV history.” Cilo said “Live in Front of a Studio Audience” offered an opportunity for Lear to pay tribute to his former partner. ‘My dad and me.’” Lear wrote how he continually fought with his father, who called him “the laziest white kid he had ever met.” “I was flooded with ideas and knew I had to do an American version of this show.” A chapter about the premiere of “All in the Family” winds up with Lear writing, “America had been introduced to the subversive mind of Norman Lear, and not one single state seceded from the union.” When Lear was promoting his book, Yorkin’s former wife, Peg Yorkin, wrote a letter to The Times blasting him for his omission: “Bud and Norman both developed the show.

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