Nickel Boys review: Colson Whitehead adaptation is an artistically daring masterpiece
The IndependentGet our free weekly email for all the latest cinematic news from our film critic Clarisse Loughrey Get our The Life Cinematic email for free Get our The Life Cinematic email for free SIGN UP I would like to be emailed about offers, events and updates from The Independent. It’s the question that shapes RaMell Ross’s Nickel Boys, a more artistically daring literary adaptation than almost any other of its peers. Whitehead’s book is a fictionalised account of a friendship forged by two Black students at Nickel Academy, a so-called “reform school”, a euphemistic turn of phrase used to describe a juvenile penal institution. POV: Ethan Herisse and Brandon Wilson in ‘Nickel Boys’ It’s a kind of internal detective work reflected on screen, before the film suddenly flashes forward to an older Elwood, as he tries to make peace between his memories and the incoming news that mass graves have been discovered at Nickel. Violence, in Nickel Boys, isn’t presented in the uncompromising way other filmmakers have argued for, but as fractured, disassociated – the way the mind might allow it to replay.