The amorality of Sacred Games: How Netflix's series reflects hallmarks of Anurag Kashyap’s films
FirstpostSacred Games is attractive as entertainment because it confirms people in their facile sense that they did right in attending only to themselves — since the world itself is beyond repair or redemption. Read on Firstpost: Netflix’s Sacred Games gets these five things wrong, when compared to Vikram Chandra’s book The remaining episodes are arranged as a countdown to the apocalypse – 26, 25, 24, etc. As in Kashyap’s earlier films, Sacred Games shows us alleyways and corners in the dingiest parts of Mumbai and what makes it saleable to a respectable clientele is the ‘grime tourism’ it has on offer. There is a creative ‘truth’ in the comparison and it is creative acts like these that are sorely lacking in the violence Sacred Games shows us, which is monotonously flatfooted. The amorality of Sacred Games, its lack of a social vision has been the hallmarks of Kashyap’s films and the eagerness with which these portrayals are lapped up by proper folk merits some speculation.