The Long and colorful journey of enamel
China DailyAbout 100 pieces of Chinese enamelware are on display at the Metropolitan Museum of Art in New York. Illuminating Chinese art history with their splendid hues, these wares bear witness to cultural exchanges going back centuries, Zhao Xu reports in New York. To a modernday person who has dabbled in the country's aesthetic history, likely candidates would be "sober" and "demure", bearing in mind the succinct lines and dark colors of the now-hailed Ming-style furniture. "The sheer number of Ming and Qing enameled wares that have been found and the multitude of purposes they served testifies to their role: people lived with and amid them," says Lu, who titled the display Embracing Color: Enamel in Chinese Decorative Arts, 1300-1900. "Polychrome porcelain enjoyed an elevated status in Chinese art history for a long time," Lu says, pointing to a collector's manual from the late 14th century, which described cloisonne enamels as "out of place in a scholar's study" for its perceived visual excess.