Netflix’s True Crime Boom Is at a Dangerous Crossroads
SlateCrime Scene: The Vanishing at the Cecil Hotel vaulted to the top of Netflix’s Top 10 when it was released, part of the streaming service’s relentlessly growing portfolio of true crime product. Crime Scene’s diversions, on the other hand, feel like an effort to ramp up the spookiness of the story and stretch out the mystery to fill out Netflix’s multipart template—the creators of Making a Murderer, which laid the groundwork for the service’s true crime boom, initially pitched an eight-hour series, and Netflix suggested 10. There is a thin line between honoring a victim’s story and capitalizing on it, and the more recent Netflix true crime documentaries fail to stay on the right side of it. You can trace the lineage of the recent boom in true crime series back through Making a Murderer to 2004’s The Staircase, the eight-part documentary about the murder trial of novelist Michael Peterson.