‘99 Songs’ movie review: Composer AR Rahman, and not the writer, is who we need more of

It is soothing, can heal and effect a change across the world. When Jay stands his ground, the dad lays down a challenge — compose 100 songs before he can come around asking his daughter’s hand in marriage. ‘99 Songs’ Cast: Ehan Bhat, Edilsy Vargas, Lisa Ray, Tenzin Dalha and Manisha Koirala Ehan Bhat, Edilsy Vargas, Lisa Ray, Tenzin Dalha and Manisha Koirala Director: Vishwesh Krishnamoorthy Vishwesh Krishnamoorthy Storyline: An aspiring musician is set a target by the father of the girl he wishes to marry — compose 100 songs, a journey which turns his life upside down. The ambling affair is more pronounced in certain portions — like when we are introduced to a flashback sequence of Jay’s mom, the general feeling is, “Speed up things, please!” Films like 99 Songs need not necessarily bank heavily on a unique screenplay; it is a musical, audiences walk in seeking an experience of a different kind, and which composer Rahman does provide in abundance — the Jazz club sequences in Shillong, ‘Jwalamukhi’ track and the many piano riffs are a treat to savour. At some point, Manisha Koirala’s character in the film remarks: “Music will be the last remaining magic in this world.” At least in the case of 99 Songs, it is true, and especially because good scripts and engaging screenplays are going extinct at a dangerous pace in Indian cinema.