Furiosa: A Mad Max Saga, Cannes review – Fury Road prequel is emotional, witty and filled with purposeful savagery
The IndependentGet our free weekly email for all the latest cinematic news from our film critic Clarisse Loughrey Get our The Life Cinematic email for free Get our The Life Cinematic email for free SIGN UP I would like to be emailed about offers, events and updates from The Independent. Read our privacy policy The fifth Mad Max movie, which has premiered at the Cannes Film Festival, arrives on screen without one seemingly vital ingredient – Max himself. We meet Furiosa as a youngster, played by actor Alyla Browne – half of the film has elapsed before we catch our first glimpse of its star, Anya Taylor-Joy. Director George Miller combines speed, grace and explosive violence, emulating Sam Peckinpah westerns and even, at times, the work of Charles Dickens – Furiosa is a bit like a young Artful Dodger, using her wits and courage to stay alive. But even in an action role almost entirely bereft of quieter moments, Taylor-Joy is still able to convey plenty about Furiosa’s raw inner emotions.