The Holdovers review: Paul Giamatti shines in a warm, sentimental comedy made for life’s curmudgeons
The IndependentGet our free weekly email for all the latest cinematic news from our film critic Clarisse Loughrey Get our The Life Cinematic email for free Get our The Life Cinematic email for free SIGN UP I would like to be emailed about offers, events and updates from The Independent. Read our privacy policy It’s bad business to have released Alexander Payne’s mournful holiday comedy, The Holdovers, several weeks after Christmas has ended. Payne’s return behind the camera follows his 2017 sci-fi comedy Downsizing, a film largely dismissed by critics, and features a second collaboration with his Sideways star, Paul Giamatti. Giamatti, Sessa, and Randolph share a warm rapport, enveloped by the wistful, vintage aesthetics of Payne’s homage to New Hollywood filmmakers of the Seventies, like Hal Ashby and Peter Bogdanovich – complete with a mono sound mix and custom-made studio logos. Starring: Paul Giamatti, Dominic Sessa, Da’Vine Joy Randolph, Carrie Preston, Brady Hepner.