With a focus on Shiva
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11 hours, 2 minutes ago

With a focus on Shiva

The Hindu  

Anwesha Das, a disciple of Urmila Satyanarayanan, presented a traditional margam for her performance for Kartik Fine Arts. The alarippu in Sankirna Chaapu featured elements representative of his iconic image — the Damaru, the Ganga flowing from his locks, the tiger skin and snake — through interesting poses and simple movements. Anwesha explored the ideas convincingly with familiar sancharis such as the moonlight scorching the nayika’s body, bees hovering over the flowers, and her lotus face wilting awaiting his arrival. The popular Tulsidas bhajan ‘Sri ramachandra kripalu’ in raga Yamunakalyani was filled with certain key incidents of Rama’s life that the dancer depicted with simple details. Moving on to a lighter vein, the javali ‘Neematalu emayanuraa’ in raga Purvikalyani explored the thoughts of a samanya nayika, who taunts her beloved, reminding him of all the empty promises he made of adorning her with fancy robes and jewels, which remain unfulfilled.

Fine Expressions  shiva  pining  raga  focus  lotus  lord  yatra  simple  nayika  fine  expressions  anwesha

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Sriranjani Santhanagopalan brought out the myriad shades of Ritigowla in her alapana
11 hours, 7 minutes ago

Sriranjani Santhanagopalan brought out the myriad shades of Ritigowla in her alapana

The Hindu  

Recognising opportunities amidst challenges is an art in itself, and Sriranjani Santhanagopalan demonstrated her adeptness in it. Sriranjani’s rendition transformed the composer’s anguish into a feast of melody with many facets coming together — the tempo, rich bhava through a tapestry of sangatis, Kamalakiran playing a perfect foil in the lower octave, and Sai Giridhar and Guruprasad’s support. Another short …

Sivasri’s ‘naama yatra’ connects audience well at music festival in Madurai
1 day, 8 hours ago

Sivasri’s ‘naama yatra’ connects audience well at music festival in Madurai

The Hindu  

Sivasri Skandaprasad took the rasikas for a “Nama Yatra” on the fifth day’s concert of the 73rd annual music and arts festival at Sri Sathguru Sangeetha Samajam in Madurai. Her next rendition was “muruga muruga enral” by Periyasami Tooran in raga saaveri and in quick succession she rendered Tirupugazh “Kondru tharu.” Skandaprasad’s composition “Pathi pasupathi” and “Maathangi maragathangi” on Lord …

The weekend Margazhi guide
1 week, 6 days ago

The weekend Margazhi guide

The Hindu  

THE MUSIC ACADEMY @ The TTK Auditorium, Alwarpet. December 28, 9.30 a.m.: Bangalore brothers; 1.15 p.m.: P. Vikram; 2.30 p.m.”; Malavika Sundar; 4.15 p.m.: Vishal Sapuram ; 6.30 p.m.: Kunnakudi Balamurali Krishna. December 29, 9.30 a.m.: Trivandrum K. Krishnakumar; 1.15 p.m.: Akshara Samskriti; 2.30 p.m.: Madurai Sivaganesh’ 4.15 p.m.: J.B. Keerthana Sriram; 6.30 p.m.: Akkarai Sisters. December 28, 8.30 a.m.: …

Shijith Nambiar and Parvathy Menon took the route less travelled to explore ‘Chidananda Margam’
2 weeks, 1 day ago

Shijith Nambiar and Parvathy Menon took the route less travelled to explore ‘Chidananda Margam’

The Hindu  

Moving away from a linear depiction, how does one infuse vigour to a popular Varnam like ‘Swami naan undhan adimai’ in raga Nattakurinji, in a manner that would befit a dancing duo? Shijith Nambiar and Parvathy Menon did just that in ‘Chidananda Margam’ for the inaugural day of Sri Krishna Gana Sabha festival. Diagonal lighting was used effectively as a …

A. Kanyakumari and Vittal Rangan presented a delightful string theory
3 weeks, 2 days ago

A. Kanyakumari and Vittal Rangan presented a delightful string theory

The Hindu  

On a rainy evening, there was a downpour of melody as violin vidushi A. Kanyakumari and her disciple B. Vittal Rangan, drenched rasikas in their nuanced and aesthetic music. In perfect sync, the guru-sishya duo commenced the concert, for Kartik Fine Arts, evoking bhakti rasa with ‘Karimukha varadha’, a GNB composition in raga Nattai. This was followed by an alapana …

Kartik Fine Arts Expands Cultural Reach to Chennai Suburbs
2 months, 2 weeks ago

Kartik Fine Arts Expands Cultural Reach to Chennai Suburbs

The Hindu  

Kartik Fine Arts expands its cultural activities to Chennai's suburbs. The sabha has launched an outreach effort to reach out to rasikas in the suburbs, featuring a Carnatic vocal recital by K. Gayatri. The inaugural event was held in collaboration with Babaji Vidhyashram, Sholinganallur, and featured a diverse lineup of performances. The concert showcased the talents of renowned artists from …

The timeless appeal of the traditional Bharatanatyam repertoire
6 months ago

The timeless appeal of the traditional Bharatanatyam repertoire

The Hindu  

“It is not just the past six months of rehearsals, but many years of rigorous training I received from my guru in my early years, which has given me the strength and stamina to present the margam today “ said Nithyakalyani Vaidyanathan at the start of her Poorna Margam for Natyarangam at Narada Gana Sabha mini hall. K. N. Dhandayuthapani …

Uma Ramesh put together compositions on Shiva for her thematic performance
9 months, 1 week ago

Uma Ramesh put together compositions on Shiva for her thematic performance

The Hindu  

It was a thematic margam and the chosen deity for the evening was the lord of dance Shiva. Uma Ramesh, in her performance for Brahma Gana Sabha, chose to make this thematic presentation more meaningful by conceptualising a recital that moved from the physical to a philosophical state. Uma’s choreography of the physical structure of the temple in the Mallari …

Niveditha Sankaranarayanan opts for traditional compositions
10 months ago

Niveditha Sankaranarayanan opts for traditional compositions

The Hindu  

For someone who has been actively dancing from a young age, returning to perform after a hiatus would be a cherished moment. Niveditha Sankaranarayanan, a disciple of Srekala Bharath, performed a solo Bharatanatyam recital after a gap of two and a half years, under the auspices of Karthik Fine Arts at Narada Gana Sabha mini hall in Chennai. Niveditha comes …

Rama Vaidyanathan’s ‘Sringara Rasamanjari’ was a wholesome experience
11 months, 1 week ago

Rama Vaidyanathan’s ‘Sringara Rasamanjari’ was a wholesome experience

The Hindu  

It was one of those days when the twin streams — music and dance — intertwined beautifully. It happened at Rama Vaidyanathan’s performance at the Music Academy dance festival. ‘Sringara rasamanjari’ was the opening composition of the evening, and Rama’s interpretation symbolised the many hues of love. Depicting Rajagopala as Krishna the cowherd, the dancer portrayed the cows being herded …

Tamil compositions took centre stage at Sriranjani’s New Year concert
1 year, 8 months ago

Tamil compositions took centre stage at Sriranjani’s New Year concert

The Hindu  

Sriranjani Santhanagopalan’s vocal concert, as part of Hamsadhwani founder R. Ramachandran’s birth centenary celebrations, brimmed with energy. Held on Tamil New Year’s day, the performance included a variety of Tamil works — from Avvaiyar’s ‘Vakkundam’ in Ritigowla as a prelude to ‘Tatvamariaya tarama’ by Papanasam Sivan to the concluding Thiruppugazh. Sriranjani took up the rare raga Jyothiswaroopini for detailing and …

Aditya Prakash: A voice with enough promise
2 years ago

Aditya Prakash: A voice with enough promise

The Hindu  

In his concert, Aditya Prakash brought his grounding in Carnatic music to the fore despite being a part of international musical projects. Sowkhya bhava that reigned supreme during his rendition of ‘Swara raga sudha’, continued during the swarakalpana too. ‘Sogasu juda tarama’ set the mood for Aditya’s Varali raga exploration, followed by the violinist’s equally impressive interpretation. The niraval/swaras at …

A colourful portrait of ragas by Sikkil Gurucharan
2 years ago

A colourful portrait of ragas by Sikkil Gurucharan

The Hindu  

Smart choice of ragas and kritis, careful distribution of time, keeping the raga treatises and swarakalpana under control and avoiding over indulgence — all these contribute to the success of a concert. With his vocal cords in fine form, Gurucharan opened the performance with the ghana raga Adi tala varnam, ‘Chalamela jesevura’ by Vinjamoori Varadaraja Iyengar. The raga’s splendour could …

Karaikudi Mani’s Nandhikeswara Utsav brought together sruthi and laya
2 years ago

Karaikudi Mani’s Nandhikeswara Utsav brought together sruthi and laya

The Hindu  

With a focus on bringing music and rhythm together on a single grandstand, mridangam maestro Karaikudi Mani celebrates Nandhikeswara Utsav in various venues. In this year’s Winter Music Festival, hosted by Sruthilaya Kendra, he brought together well-known artistes to perform compositions that are embellished with swaras in intricate laya patterns. A team of singers, violinists and percussionists rendered a set …

An impressive thematic presentation by Rasika Arts Foundation
2 years, 1 month ago

An impressive thematic presentation by Rasika Arts Foundation

The Hindu  

In connection with the 40th anniversary of Noopura Academy of Indian dances, Mangaluru, Sulochana V Bhat had organised a Bharathanatyam performance by students of the Bengaluru-based Rasika Arts Foundation. The nimble footwork, fleeting facial expressions, graceful body language and the beautiful co-ordination among the performers spoke highly of the training they had received from gurus Kiran Subramanyam and Sandhya Kiran. …

Vaani Lakshmi Varma’s impressive debut performance in Chennai
2 years, 5 months ago

Vaani Lakshmi Varma’s impressive debut performance in Chennai

The Hindu  

Ganapathy, the remover of all hurdles, is worshipped at the start of an event. Vaani Lakshmi Varma too began her performance at the Kalakshetra auditorium with a shloka in praise of Ganapathy, before moving on to Alarippu in Tisra Eka talam. The basic elements of the dance form — perfect araimandi posture and symmetry in hand movements and footwork, which …

Aditya Madhavan’s raga essays were steeped in manodharma
2 years, 6 months ago

Aditya Madhavan’s raga essays were steeped in manodharma

The Hindu  

Aditya Madhavan’s recent concert for Madhuradhwani and Aanmajothi was aesthetic from the word go. Connoisseur’s delight Aditya Madhavan’s extensive Begada alapana for Muthuswami Dikhitar’s ‘Tyagarajaya namaste’ was a connoisseur’s delight. Another gem of a composition in this concert was Tiruvarur Ramaswamy Pillai’s ‘Sree Kamakshi Katakshi’ on the Goddess of Vedapuri in Tamil Nadu. This composition is attributed to Subbaraya Sastri …

Aishwarya opted for a traditional margam
2 years, 11 months ago

Aishwarya opted for a traditional margam

The Hindu  

In the midst of watching thematic presentations, a simple Bharatanatyam margam came as a breath of fresh air. Aishwarya Ananth Kartikh chose classic compositions from the repertoire for her performance at the Bharatiya Vidya Bhavan’s Natya festival. She began with ‘Eeshana sandhi’ kavuthuvam in Malahari raga, composed by the Thanjavur Quartet, and choreographed by her guru Sudharani Raghupathy. The timeless …

Girijashankar Sundaresan’s inspiring Kamboji
3 years, 1 month ago

Girijashankar Sundaresan’s inspiring Kamboji

The Hindu  

Kamboji is known to offer immense scope for elaborate elucidation, a reason why musicians often include this rakti raga in concerts. Girijashankar Sundaresan opted for it while performing recently at Kedaram’s three-day festival at Ragasudha hall, effortlessly bringing out its emotional shades through voice modulation. Girijashankar chose Tyagaraja’s ‘O Rangasayee’ where the composer beckons the god. A rare Dikshitar kriti …

Immaculate raga exposition by Amrutha Venkatesh
3 years, 1 month ago

Immaculate raga exposition by Amrutha Venkatesh

The Hindu  

A rare enthusiasm and freshness marked the online vocal concert of Amrutha Venkatesh for the 63rd Annual Art Festival of the South Indian Cultural Association, Hyderabad. Melodic swaraprastara Amrutha followed this up with Swati Tirunal’s popular Mayamalavagowla composition, ‘Deva deva kalayami’ in Rupakam, with a lengthy, melodic swaraprastara at the pallavi. Then came the breezy Kadanakuthuhalam composition by Mysore Vasudevachar, …

A well-etched Thodi by Sikkil Mala Chandrasekhar
3 years, 3 months ago

A well-etched Thodi by Sikkil Mala Chandrasekhar

The Hindu  

The flute concert by Sikkil Mala Chandrasekhar, which was premiered on YouTube by Naada Inbam, was a wholesome treat, but strictly traditional. Steeped in bhakti ‘Padavini sadbhakthi’ by Tyagaraja in Salaka Bhairavi followed next, in which the saint talks about the futility of social status if one does not understand the nature of Rama. Syama Sastri’s devout kriti pleading for …

Adherence to tradition marked Tyagaraja Aradhana in Coimbatore
4 years, 11 months ago

Adherence to tradition marked Tyagaraja Aradhana in Coimbatore

The Hindu  

Music buffs were in for a rich aural treat at the 66th year celebration of Tyagabrahma Gananjali that took place at Kikani Vidya Mandir, Coimbatore. The raga alapana of Sankarabharanam for the kriti, ‘Etudanilachite’ was marked by picturesque prayogas and karvais softened by melodic graces. The opening ‘Maakelera’ with swaras setting the tone of the session was followed by a …

Celebration of raga and rhythm
5 years, 1 month ago

Celebration of raga and rhythm

The Hindu  

Classical performances stood out among the programmes held as part of the silver jubilee celebrations of Chetana group in Thrissur. ‘Jaya jaya Ganapathy’, the opening number, a composition of Ganapathy Sachidananda in Hamsadwani and Adi, was noteworthy for the flashes of swara that covered three sthayis. The drut was set to Ek Taal and the bandish ‘Jamuna jaal bharan nahi …

Painting vivid raga images
5 years, 10 months ago

Painting vivid raga images

The Hindu  

Chennai-based musician Vishnu Dev Namboodiri demonstrated his inimitable artistry in a concert in Thrissur. The opening number showcased Vishnu’s flair for melody and ability to deal with Navarasakannada, a complex raga. An elaboration of ‘Hiranmayim Lakshmeem sada bhajami’, Dikshitar’s composition in Roopakam, showcased his ability to traverse through the sthayis effortlessly. Palakkad Maheshkumar’s mridangam is always noted for the resonant …

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