
Kaala is not a 'Rajinikanth movie': A Dalit-Bahujan reading of the anti-caste politics in Pa Ranjith's film
FirstpostThe message that Pa Ranjith, the director of Kaala, seems to give in his latest film is that we are the mainstream. Against this backdrop, two important phrases stood out while Hari Dada spoke while on stage: one is ‘Manu Realty’, and the other is ‘Dandakaranya Nagar’, both of which appear in the background. The paramount importance that land holds for Bahujans in contrast to the farce that is development is stressed on — both in the beginning of the movie, as well as during a heated exchange between Kaala and Hari Dada later, where Kaala says to him, “If land for you is power, for us it is life… Even if your gods come between us, they won’t be spared." One such instance is where Parshuram’s painting is shown on one of the walls of Hari Dada’s house, while at the same time there is a book with the title ‘Asura’ on Kaala’s table. There are others who have attempted to make Kaala look like it is devoid of politics, and most specifically of anti-caste politics by projecting it merely as a Rajinikanth film by invisibilising the labour — both intellectual and physical — of its director Pa Ranjith, who is an Ambedkarite, as well as the effort and contributions of so many Dalit-Bahujans who have made the movie possible.
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