The perfect example of storytelling: BRIAN VINER reviews The Banshees of Inisherin

The Banshees of Inisherin Verdict: Howlingly funny and sad Rating: ***** My Policeman Verdict: Not very arresting Rating: ** My favourite film of the year so far, The Banshees Of Inisherin is just about a perfect example of cinematic storytelling, mostly because the narrative is driven entirely by the three sacred C-words: character, character and character. Brian Viner: My favourite film of the year so far, The Banshees Of Inisherin is just about a perfect example of cinematic storytelling, mostly because the narrative is driven entirely by the three sacred C-words: character, character and character Brian Viner: It has come under some fire for fuelling certain Irish stereotypes, but it seems to me that McDonagh strikes the perfect balance between romanticism and authenticity Brian Viner: In a sense, that's all there is to the story, the ramifications of Colm telling Padraic their friendship is over, stretched over almost two hours. It, too, boasts a fine cast: Rupert Everett, Gina McKee, Emma Corrin, Linus Roache Brian Viner: This love triangle keeps switching between two time frames: 1957 and some 40 years later, when Marion upsets Tom by moving Patrick, who has suffered a serious stroke, into the marital home Brian Viner: I saw My Policeman, which is adapted from the 2012 novel by Bethan Roberts, at the London Film Festival last week. It was received with lively audience mirth, although it isn't meant to be funny This love triangle keeps switching between two time frames: 1957 and some 40 years later, when Marion upsets Tom by moving Patrick, who has suffered a serious stroke, into the marital home.