
2020, a year in Indian art: From virtual galleries to lost livelihoods and new artistic vocabulary, changes a pandemic wrought
FirstpostDigital formats such as the online viewing rooms and virtual exhibitions, which were largely alien to the market here, have become part of a new way of engaging with the audience, and even doing business. Of note are the National Gallery of Modern Art’s digitisation of its collection and virtual exhibitions on pioneering artists such as Raja Ravi Varma and Jamini Roy, to name a few; digital partnerships between galleries that resulted in the launch of ‘TAP India’ and ‘In Touch’; and the Saffronart Partner Galleries programme, where the auction house hosts modern and contemporary art exhibitions on its website. Experimenter gallery launched ‘Generator’, a co-operative art production fund for visual artists who need financial support to continue their practice or complete their projects. The pandemic has also hit the crafts sector quite severely, and as a response to this disruption, ‘200 Million Artisans’, the volunteer-run online platform and community, has been galvanising support to address the declining rate of artisans and the threat to their livelihoods.
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