Q&A: Tom Tykwer, Franka Potente on the frenzy of ‘Run Lola Run’ and its theatrical re-release

Lola’s red hair might have been a mistake. Franka Potente’s electric locks in “Run Lola Run” are as intrinsic to the adrenaline rush of her sprint through Berlin as the film’s heart-racing electronic score. Didn’t Gregory Peck’s widow say that Gregory Peck saw and loved “Run Lola Run” before he passed? This image released by Sony Pictures Classics shows Franka Potente in a scene from “Run Lola Run.” AP: What’s it like watching it on the big screen again? It got lots of head-scratching from those people who brought money in, like “it starts three times, that doesn’t make a movie.” One of the things I loved was that it seemed like an action movie, but with a strong emotional center and quite a lot of structural and philosophical substance underneath.