Review: ‘The Power of the Dog’ is a sublime gothic Western
3 years, 1 month ago

Review: ‘The Power of the Dog’ is a sublime gothic Western

Associated Press  

Tracking shots of a solitary figure striding across a Western plain, seen from within the darkened interiors of a home, bookend Jane Campion’s “The Power of the Dog.” As the man walks, with wrinkled foothills behind him, the camera glides through the house. “The Power of the Dog” is Campion’s first film since her luminous 2009 John Keats drama “Bright Star"; in the interim she made the series “Top of the Lake,” the vivid New Zealand mystery. Adapted by Campion from Thomas Savage’s 1967 novel, “The Power of the Dog” is less a return to form for Campion than a big-screen reminder of her virtuosity. But just what Phil can and can’t see is at the heart of “The Power of the Dog,” a film that, like the novel, takes its name from a Psalm.

History of this topic

The Power of the Dog: Director Jane Campion calls Sam Elliot a ‘bit of a b****’ over criticism
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