Fascinating insight into ancient Chinese Huaniao ink paintings at Lalit Kala Akademi in Delhi
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Fascinating insight into ancient Chinese Huaniao ink paintings at Lalit Kala Akademi in Delhi

The Hindu  

Four years ago when Harsha Dass, a senior executive with the Indian Railways had to shift to Taiwan with her diplomat husband, she routed her understanding of the local culture through art classes. Her strikingly different work highlighting the separate sub-genre of Chinese ink paintings on rice paper reveals a painterly brilliance of an eager student who practiced hard to master the strokes in a short span. “She is a living storehouse of knowledge about traditional techniques and skills and eased me into the craft of ink painting,” says Harsha now posted as Chief Personnel Officer in Northern Railways, Delhi. Scholar artists developed a free hand or xieyi style bloated ink painting as opposed to the classic outlined or gongbi style painting, making the two schools of Huaniao paintings very distinct. “One needs e the temperament to learn the art because it is physically taxing as one has to stand and finish a painting, preferably in one day otherwise the naturally made ink loses its colour.

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