In conversation with Nandita Das
The Hindu“ 1857 ke khandhar mein, Mughaliya sultanat mein; Sab peeche dekh rahe hain, jab aaj ke kaatil lahu se tareekh likh rahe hain. ” Nawazuddin Siddiqui, as Saadat Hasan Manto in Nandita Das’s biographical film on the celebrated Indo-Pakistani writer, talks about how we keep blaming everything on the past — the ruins of 1857, the Mughal empire — even as newer killers keep marching on, spilling blood to write fresh chapters of violence in evolving contemporary history. He was not a sentimentalist: “They are as is… raw, straightforward, without embellishments.” In fact, Das initially wanted to make short films of Manto’s stories. “I would have someone read out the Urdu books to me, and record them.” And, of course, there was Manto’s family — his daughters and his grand-niece Ayesha Jalal who wrote The Pity of Partition:Manto’s Life, Times, and Work across the India-Pakistan Divide. According to Das, Manto himself used to say “ Jab tak insaan aur Manto mein kamiyan rahengi, tab tak main use khurdbeen se dekhta rahunga aur doosron ko dikhata rahunga “I wanted to show Manto to audiences with all his amazing qualities and his blemishes,” says Das.