“The audience needs to feel what he’s feeling. “I’ve always viewed the music as needing to be integrated early into the DNA of the film,” Nolan says, “and not applied afterwards, you know, like a sauce on a piece of meat.” So Göransson — the Swedish wonder who has worked his aural magic on “Creed,” “Black Panther” and “The Mandalorian” …
“Tenet” opens with an orchestra tuning up. “Music has been such an increasing and fundamental part of the films I’ve made,” the director of “Inception” and “Interstellar” said in the recent book “The Nolan Variations.” “What I’ve done with the bigger film scores over the years is figure out a way to build the machine and then use the mechanism …
