Madan Mohan was much more than the ‘song’-total of the Ghazals for which he was so rightly crowned the emperor of the genre. I really love Talat Saab’s Phir wohi sham wohi gham wohi tanhayee hai in the film Jahan Aara and Rafi Saab’s Aapke pehlu main aakar ro liye in Mera Saaya.” Lataji also lamented the fact that Madan …
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