Black animators demanded change for years. Now they have Hollywood’s attention
LA TimesWaymond Singleton and Breana Williams pose for a portrait in North Hollywood. “But for me, it’s disappointing that it took Black trauma for the industry to start caring more about trying to uplift Black creatives.” Anecdotes from members of the Black animation community about being the only Black person — or even the sole person of color — on the staff of animated film or TV productions are not uncommon. This lack of visibility for Black people working in the animation industry is what led Williams and storyboard artist Waymond Singleton to launch their “Black N’ Animated” podcast in 2018. “Animation is a key piece of the puzzle when it comes to how Black people are seen and represented because it’s storytelling, and it is storytelling that influences a lot of young people.. It’s an art form that deeply shapes the minds of our youth.” Animated shows such as “Kipo and the Age of Wonderbeasts,” “Craig of the Creek,” “Steven Universe” and “Avatar: The Last Airbender” are among those that have been praised for the diversity of their characters. “It’s going to come down to the leadership of the different animation studios to actually follow through and support their Black employees.” “It really takes assessment of the culture,” added Magruder.
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