Svanubhava took centre stage as S. Saketharaman performed for Kartik Fine Arts at Narada Gana Sabha. Good teamwork The Hamsanandi raga delineation ahead of Lalitha Dasar’s ‘Pavana guru’ on Krishna, set to Rupakam, featured an aesthetic grahabedham, yielding Madhyamavati. The poignance of Sama was well brought out by Saketharaman as a prelude to Dikshitar’s ‘Annapurne visalakshi’, with Bhaskar replicating the …
